eyeline 69

SKU: 069

2009

$10.00

image credit:

Peter Robinson, Snow Ball Blind Time, 2008. Polystyrene, installation detail, Govett-Brewster Art Gallery. Image courtesy Govett-Brewster Art Gallery. Photograph Stella Brennan.

articles

TOWARDS AN UNCERTAIN READING OF THE ART OF ZHANG PEILI

LOW RESOLUTION

paul gladston

JAKARTA BIENNALE XIII 2009

ARENA

marco marcon

(RE)-DEFINING MALAYSIA

Gina Fairley

EUGENIA RASKOPOULOS

Ann Finegan

LIVE, REMADE AND REMEDIATED

EXTREME ACTS

Anne Marsh

PETROCHEMICAL WONDERLAND

stella brennan

INCOGNITO

JEMIMA WYMAN

leslie dick

KATE MURPHY IS…

amanda rowell

HANNA SCOTT IN CONVERSATION WITH JAVIER TÉLLEZ

KING OF THE JUNGLE? POWER AND DISPLACEMENT

HANNA SCOTT

in conversation with Wesley Hill

Tim Woodward

Wes Hill

reviews

Dark Dreams + Fluorescent Flesh

South Australian School of Art Gallery, Adelaide

jemima kemp

Collars

Alexandra Gillespie  and Somaya Langley

Canberra Contemporary Art Space

liang xia luscombe

susan grant; anne ferran; codex

cellular silence absolute; the ground, the air; brigita ozolins

Inflight, Hobart; Tasmania Museum and Art Gallery, Hobart; Carnegie Gallery, Hobart

louise rollman

ann shelton

once more with feeling

Hocken Collections, Uare Taoka o Hākena, University of Otago

andrea bell

jaenine parkinson

edith dekyndt

agnosia

Witte de With, Rotterdam

reuben keehan

patricia piccinini

evolution

Tasmanian Museum and Art Gallery, Hobart

francis e. parker

gareth sansom

John Buckley Gallery, Melbourne

alex taylor

lean towards indifference!

Metro Arts, Brisbane

daniel mckewen

on the line

dylan rainforth

Centre for Contemporary Photography, Melbourne

dylan rainforth

renovare

Accidentally Annie Street Space, Brisbane

jacina leong

julie shiels

sleeper

Monash Gallery of Art, Wheelers Hill, Victoria

anthony camm

judy watson

bad and doubtful debts

Milani Gallery, Brisbane

kasia janczewski

antichrist, 2009

Cannes Film Festival

Wes Hill

quasi-singapore; @ home abroad

8Q sam, Singapore Art Museum

louise rollman

yayoi kusama

mirror years

Museum Boijmans Van Beuningen, Rotterdam; Museum of Contemporary Art, Sydney

Sarah Hetherington

i walk the line

new australian drawing

Museum of Contemporary Art, Sydney

Anne Kirker

gordon bennett; john citizen

(home décor) aboriginal art; interiors

Sutton Gallery, Melbourne

francis e. parker

what a diff’rence a day makes

one day sculpture

Auckland, Wellington, New Plymouth, Hawera, Opunake, Christchurch, Dunedin, New Zealand

heather galbraith

the art of iconoclasm

BAK, basis voor actuele kunst, Utrecht

reuben keehan

dan graham

beyond

Museum of Contemporary Art, Los Angeles; Whitney Museum of American Art, New York

anna mayer

michael sailstorfer

no light

Galerie Emmanuel Perrotin, Paris

Wes Hill

Bruce Barber

Reading and Writing Rooms

Te Tuhi Centre for the Arts, Manukau City, New Zealand

ariane craig-smith

eyeline 69

articles

LOW RESOLUTION

ARENA

(RE)-DEFINING MALAYSIA

EUGENIA RASKOPOULOS

EXTREME ACTS

PETROCHEMICAL WONDERLAND

JEMIMA WYMAN

KATE MURPHY IS…

KING OF THE JUNGLE? POWER AND DISPLACEMENT

Tim Woodward

Dark Dreams + Fluorescent Flesh

Collars

susan grant; anne ferran; codex

ann shelton

edith dekyndt

patricia piccinini

gareth sansom

lean towards indifference!

on the line

renovare

julie shiels

judy watson

antichrist, 2009

quasi-singapore; @ home abroad

yayoi kusama

i walk the line

gordon bennett; john citizen

what a diff’rence a day makes

the art of iconoclasm

dan graham

michael sailstorfer

Bruce Barber

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eyeline 69

articles