eyeline art magazine australia. Cover: Nick Cave, The Let Go. An immersive performance and installation by Nick Cave at Park Avenue Armory. Photograph James Ewing.
Articles: Nick Cave: The Let Go by Ingrid Periz; Updating the Readymade by Wes Hill; Archie Moore: 1970 – 2018 by Sarah Werkmeister; Dale Harding in conversation with Hilary Thurlow; Art and Incarceration: Andy Quilty and The Prisoner by Darren Jorgensen; From both, and inconclusively, from neither: Critical reflections on the significances of Yu Youhan's paintings as a locus of aesthetic modernity by Paul Gladston; Thresholds to other worlds: Jill Orr's ritual performances by Anne Marsh; The Planetary Garden: Manifesta 12, Palermo by Julie Ewington; Globalisation, the art market and international art by Robyn Ferrell; Adventures in Biennale-land: Thoughts on the Adelaide Biennial of Australian Art; NGV Triennial and the twenty-first Biennale of Sydney, 2018 by David Corbet; Reviews.
Christian de Vietri interviewed by Dina Ibrahim; Rachel Shearer: The flooded mirror and silt line – Sound art and public space by Andrew Clifford; Sex, death and religion: Touring MONA by Anne Marsh; Wes Hill in conversation with Andrew Harper; Confronting consensus: The art and politics of Christopher Howlett by Mark Pennings and Mark Webb; Game changer: Helen Johnson – New painterly strategies by Shelley McSpedden; The un-thought about: A history for John Barbour in a handful of objects... by Ewen McDonald; Adelaide and the elusive palace of dreams by Ross Wolfe; All is not what it seems: Through the glass with Nicholas by Ian Were; Return of the exhibition: 12th Istanbul Biennial by Adele Tan; Knowing but not seeing: Yokohama Triennale 2011 by Emily Wakeling; Reviews.